Why that Facebook ‘Ten Book Challenge’ was impossible for me…

I’m sure you’ve seen it, and mostly likely been tagged – and unsurprisingly it turns out that was in service of Facebook generating a ‘news’ story. Which is harmless enough, as far as it goes. I didn’t not respond by way of any principled stand against being manipulated or exploited or anything. I just didn’t get round to writing a list because every time I tried, my brain just stalled. Hung. Locked up. Needed a firm ctrl-alt-delete.

“List 10 books that have stayed with you in some way. Don’t take more than a few minutes, and don’t think too hard. They do not have to be the ‘right’ books or great works of literature, just ones that have affected you in some way.”

I don’t have to take a minute to come up with twenty or thirty titles. A couple of minutes? Then I’ll have a hundred and then I’ll realise that I’ve still left out a vast chunk of my lifetime’s reading experience. There’ll be crime and SFF and historical – but no literary fiction, no comedy… And what about non-fiction? Biography? Memoir and diaries? Some of those have made a great impression.

Looking at the bookcases here was no help. Seeing one title would instantly remind me of five others just as memorable in their own and differing ways. I simply could not dash off a superficial selection without instantly regretting it.

On the other hand, I have found reading other people’s lists very interesting, by way of insight into them and their work, offering some surprises along the way. And being tagged by people doing that, it does seem a little rude not to respond in kind.

So I have come up with a list of books that have stayed with me – not any sort of definitive list, not the most memorable books in my life or even the most significant. For a start, I’ve limited myself to fiction. But these are ten books which have a significance for me and my own reading and writing, where each one is an exemplar for any number of similar works.

(and yes, this is consciously gender balanced list because what possible justification could there be for it not being so, given the thousands of books I’ve read in my life thus far?)

The Horse and his Boy – CS Lewis – the first Narnia book I read on my own with themes of being true to one’s own self that will still draw me into a book today.

The Hobbit – JRR Tolkien – for an introduction to epic grandeur which never loses sight of the human (or halfling or dwarven) costs of heroism.

The Ogre Downstairs – Diana Wynne Jones – for child-centered drama acknowledging that life isn’t fair, that everyone, old and young, makes mistakes and the only thing to do is tackle all that and move on. Also magical chemistry set!

Something Fresh – PG Wodehouse – for an introduction to the insights into the human condition that can be so very effectively conveyed through comedy.

Warrior Scarlet – Rosemary Sutcliffe – showing me that the past is a different country and they do things differently there, thus inspiring me to learn more about history while exploring how far the essentials of life and love stay the same.

The Hound of the Baskervilles – Sir Arthur Conan Doyle – introducing me to the popular fiction of decades gone by. Reading needs depth as well as breadth.

Brat Farrar – Josephine Tey – an introduction to just how much a crime/mystery novel can offer beyond the puzzle of Whodunnit.

Dragon Prince – Melanie Rawn – my personal favourite of the game changers writing epic fantasy in the 80’s, showing just what the genre could now address.

Vanishing Point – Val McDermid – showing how a genre novel can equal the very best of so-called ‘literary fiction’ and then go far beyond it in commenting on contemporary society.

Intrusion – Ken Macleod – informed, engaged, political, thought-provoking, giving the lie to any notion of SFF as ‘mere escapism’.

And now I’m going to hit ‘post’ before I start arguing with myself again about ones I’ve left off, but how am I supposed to choose which of these ten to chuck over the side…?

Ctrl-alt-delete!

Author: Juliet

Juliet E McKenna is a British fantasy author living in the Cotswolds, UK. Loving history, myth and other worlds since she first learned to read, she has written fifteen epic fantasy novels so far. Her debut, The Thief’s Gamble, began The Tales of Einarinn in 1999, followed by The Aldabreshin Compass sequence, The Chronicles of the Lescari Revolution, and The Hadrumal Crisis trilogy. The Green Man’s Heir was her first modern fantasy inspired by British folklore in 2018. The Green Man’s Quarry in 2023, the sixth title to follow, won the BSFA Award for Best Novel. The Green Man’s War continues this ongoing series. Her 2023 novel The Cleaving is a female-centred retelling of the story of King Arthur, while her shorter stories include forays into dark fantasy, steampunk and science fiction. She promotes SF&Fantasy by reviewing, by blogging on book trade issues, attending conventions and teaching creative writing. She has served as a judge for the James White Award, the Aeon Award, the Arthur C Clarke Award and the World Fantasy Awards. In 2015 she received the British Fantasy Society’s Karl Edward Wagner Award. As J M Alvey, she has written historical murder mysteries set in ancient Greece.

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