For those of you who haven’t seen it, ‘Timeless‘ is a prime-time, network action-SF show. The premise is straightforward: English billionaire Connor Mason funds the secret development of a time travel machine, bad guys steal the time travel machine, the authorities get involved and a square-jawed hero soldier Wyatt Logan, somewhat sheltered academic historian Lucy Preston, and Rufus Carlin, one of the science team who’d much rather stay in his lab, have to use the prototype machine to stop the bad guys wrecking history for fell purposes as yet unknown. So far, so formulaic.

Well, no, not entirely. Quite a few things lift this TV show above the mixture as before. It’s very well cast and the actors all deliver solidly committed performances. There are soon questions over how bad the bad guy Flynn’s motives might actually be, and while history’s big picture is pretty much maintained, the butterfly effect means massive changes in Lucy’s personal life when she gets back from their first mission. All enjoyably entertaining.

Then there’s Rufus Carlin being black. Not that he stands out in the present day setting; so is Connor Mason and there are more actors of varied ethnicities among the scientific support staff and government officials, men and women alike. The show has a diverse cast because there’s absolutely no reason there shouldn’t be such people in such roles in this day and age. So far so good, and so unremarkable.

But … the action is by no means limited to this day and age, is it? This is a time travel show. And as Rufus points out to Connor Mason in the first episode, “There is literally no place in American history that will be awesome for me!”

Rufus being black adds whole new levels of complexity and interest to the writing and thus to the viewing. Not that the writers are out to beat viewers over the head with Politically Correct Messages. These things arise naturally from the situations created by the overall plot arc. Put Rufus in early 1960s Las Vegas and all of a sudden, he’s invisible because everyone just assumes he’s a waiter. Put him in 1930’s New Jersey and the overt racial bias is much less amusing. Put historical expert Lucy in 1970s Washington and she knows all about the political scandals – but has no clue about the Black Power movement because that was never something a white girl like her would study. Fortunately Rufus did, even if it was just to impress a girl. You get the idea.

This is precisely what I meant when I asserted “There’s a point to ‘rainbow sprinkles’ for writing and ice-cream”, when that particular sneer about increased diversity in SF&F was circulating a while back.

This sort of thing makes viewing and reading so much more interesting. So let’s see much more of it.